Monday 8 September 2008

Perfect timing


(Morning Star, Monday 08 September 2008)

INTERVIEW

SHOW TIME: Dan Atkinson

Interview: DAN ATKINSON went down a storm at the Edinburgh Fringe. Here, the exuberant stand-up comic talks to the Star about what his future has in store.

Almost everyone who has been to see a stand-up comic has a vague pretension to the skill.

"I could do that," you think, as you watch some tubby know-it-all bat away hecklers like flies, grinning toothily from a slightly raised platform which offers no personal protection whatsoever.

Being a punter at a Dan Atkinson gig, however, is a slightly different affair. While all the visual cues suggest a shambling nonchalance, Atkinson regularly cuts hecklers to figurative ribbons with such ease and timing that it seems as if they must be plants in the crowd.

Make no mistake, Atkinson always gets his man. Or woman, it seems. "I had loads of kids in at a show at the Edinburgh Fringe and I told a 15-year-old girl to fuck off half-way through, which was fun. You know it's been a good day when that happens," he grins.

One would ask what the said 15-year-old would have hoped to find at Atkinson's Edinburgh Fringe performance. Running throughout August at the Pleasance Courtyard, the shaggy-haired comic's performances were regularly sold out and were some of the most sought-after tickets in town.

'Reviewers have called him a "shambles" and "unkempt," but it is truly the work of a showman.'

Their popularity could be put down to many things, but it has to be said that the show's attention-grabbing title did the comic only favours. The Credit Crunch And Other Biscuits takes the audience on a fraught journey through a difficult world - from Atkinson's comfortable existence up north to the pillage that living in London has wrought on his finances.

When talking about the impending economic doom, the affable comic admits to feeling left in the dark.

"I find it a bit confusing when newspapers just paint it with broad brush-strokes. It doesn't actually mean anything to me. All the news about the banks, how does it affect me?"

Personalising the economic anguish of the country so succinctly was a bit of pot luck, he says.

"I got lucky with the title. It was a bit of a panic, because I just had to name it early so I've been really hoping that the economy would crumble - and it really played into my hands."

One man's misery is another man's triumph, it seems, and, after such a successful run, Atkinson is holding the championship belt aloft for all to see.

The excitement of any of his shows comes from his child-like exuberance for his subject and his often arcane observations on a world which alternately amuses and baffles him.

Reviewers have called the 28-year-old "gawky" and "shambolic," appearing, as he does, bearded and unkempt, but his is truly the work of a showman. In making his living as a stand-up for 10 years now, Atkinson's supposed "shambles" is actually carefully designed.

How else could he run a successful comedy club for five years in York? Now ready to hit the big time, it seems that maybe the big time is braced for the punch. Atkinson's successful Edinburgh appearances have brought him a spot on the Edinburgh And Beyond tour with Glenn Wool, Isy Suttie and Joe Wilkinson, all accomplished comics who have garnered critical praise.

Having had three weeks off since Edinburgh, which he has labelled "a month-long works outing," his new shows promise to capture his natural vibrancy and hilarity, not to mention a little audience interaction. Consider yourself warned.

See www.dansdesk.co.uk for more information.

Friday 5 September 2008

Vacuous drivel


(Morning Star, Friday 05 September 2008)

Milosh - iii
(!K7 Records)

CHILL-OUT music may not be the top of your list of cutting-edge genres, but some believe that there's something to be said for soothing tunes and laid-back beats come the morning after, right?

Well, these seekers of mellow musical mecca weren't banking on the arrival of Michael Milosh, a classically trained Canadian who has crowned himself king of the ring with this, the aural equivalent of his year-long stay on a Thai island.

Unfortunately, Milosh is said to have "found himself" while he was away - and it's pretty dull stuff. This is the third record and, as its title suggests, it's all about Milosh - vacuous, rootless and devoid of substance.

From lacklustre opener Awful Game through nauseatingly twee Gentle Samui and unfeasibly self-important closer The World, the whole record sounds like it might be more suited to soundtracking Holiday 2009 than the vestiges of a hangover.

Monday 1 September 2008

THE CORAL - THE SINGLES COLLECTION


(AU magazine September 2008)

(DELTASONIC)

There's something magical in the first few bass notes of 'Dreaming Of You' by Scouse chaps The Coral. Other, lesser band's entire careers may never be as fruitful as the two minutes 21 seconds of that single - the earnest wistfulness, the unselfconscious soul baring. To hear it here, nestling alongside the more mature, slicker radio-friendly unit shifter ‘In The Morning’, it’s a refresher course for those who forgot that The Coral are truly an inspirational British band.
The Coral’s music has grown in stature and volume, but it still sounds as fresh as it would being kicked out in a pub backroom.
The second CD of these showcases previously unreleased tracks, live and demo versions, and is a real goldmine for fans, and notable also for its sensational closer, a cover of the Everly Brothers’ ‘Bye Bye Love’.

CORNELIA - ENGINE


(AU magazine September 2008)

(RAMJAC)

For all its affected 'worldliness', there is a constrictive claustrophobia to Cornelia's debut record. Apparently one of Sweden's most sought-after exports, the closed-up beats on Engine beget a strangely deadened, muted sound. Cornelia's dreamy European vowels sink into the sparse rhythms like buttery toast, but despite its technical accomplishments, there lacks a certain substance here that makes the record a real standout. Like that other famous Swedish export, Cornelia's wares come flat and there's seldom anything to hold it all together.

HK119 - FAST, CHEAP AND OUT OF CONTROL


(AU magazine September 2008)

(ONE LITTLE INDIAN)

From the cover, Fast, Cheap And Out Of Control looks like just another indie band - it even comes with a press-issue cigarette in the CD spine, which is surely something The Paddingtons once dismissed as "too contrived"? Anyway, the record herein is not particularly fast, cheap or out of control. In fact, HK119 aka Heidi Kilpelainen boasts all the chaos of Italian 1980's hair-pop songstress Spagna. The most striking thing about it all is the distinct lack of genre - HK119 shrugs on Europop and electrodisco with all the ease of donning a cheap dress - but ultimately it's all laughably "emperor's new clothes".

INNERPARTYSYSTEM - INNERPARTYSYSTEM


(AU magazine September 2008)

(ISLAND/FALLOUT RECORDS)

About as soothing as a brain hemorrhage, Pennsylvania's Innerpartysystem swoop in on their eponymous debut album like Depeche Mode on speed. First single 'Don't Stop' is all 1980s blips and beeps, while new release 'Die Tonight, Live Forever' boasts all the hardcore fervour of a shrewdly electro-aware boy band. Essentially, the record sounds like a distillation of years of hard rock adulation diluted by unfeasibly fast industrial beats. Trent Reznor must be beaming with pride.

KING KHAN AND THE SHRINES - THE SUPREME GENIUS OF KING KHAN AND THE SHRINES

(AU magazine September)

(VICE RECORDS)

Welcome to space year 1967, where chicks wearing righteous threads are duty-bound fall under the spell of any smooth-talking cat with an axe. It's a trip alright, into the dazzling world of King Khan, a twenty-something scholar of yesteryear. The Supreme Genius Of King Khan And The Shrines, the third outing for the group, carries the heavy burden of old-style rhythm and blues, but magically makes each note as fresh as the days from whence it came. Every song is like another drug-tinged odyssey into the decade of peace and love. Weird and fantastic, the genre of 11-piece psychedelic soul has not been so fulsomely represented since way back when.

MILOSH - iii

(AU magazine September 2008)

(!K7 Records)

Laid back and ready to soothe your hangover this Sunday morning – scoff you may, but it's a moneyspinning genre, and Michael Milosh here is its overpowering colossus. Apparently recording during a yearlong stay on a Thai island, there's nothing that stands out here, nothing that couldn't have been conjoured up by any number of chill-out DJs. iii is the third record from this classically-trained Canadian and its title suggests it's all about Milosh - vacuous, rootless and lacking in substance.

SIGUR RÓS - INNÍ MÉR SYNGUR VITLEYSINGUR (WITHIN ME A LUNATIC SINGS)

(AU magazine September 2008)

(EMI)

SINGLE REVIEW

Too exotic for us Brits to ‘get’ in any real sense, the Icelandic Sigur Rós make nevertheless a very gentle music with a deep darkness showing at its very edges. Inní Mér Syngur Vitleysingur has the requisite sweep, swollen to near-bursting with brass and big beats. Singer Jónsi Birgisson throws in some more of his outlandish vocals and the whole thing is very much as one would expect. Its playability comes down to listeners’ predilection for overblown, overcooked lush ‘post-rock’ with a nice line in celestial ambience. Which probably makes it excellent music for funerals.

A food for all seasons

(Somerfield magazine, September 2008)

Real life: "I'm going for gold in Beijing"

(Somerfield magazine, September 2008)